• When?
  • Or

Now showing at Cineworld Newport Wales Newport Retail Park, Seven Styles Avenue,Newport,Gwent NP19 4QQ 0871 200 2000

  • Fury
  • Get On Up
  • Interstellar
  • Lucy
  • Mr Turner
  • Nativity 3: Dude, Where's My Donkey?!
  • No Good Deed
  • Ouija
  • Royal Opera Live: L'Elisir D'Amore
  • Teenage Mutant Ninja Turtles
  • The Book Of Life
  • The Drop
  • The Hunger Games: Mockingjay: Part 1
  • The Imitation Game
  • The Maze Runner

Fury 4 stars

movie title

Norman Ellison is a new recruit, who is assigned the role of driving an M4 Sherman tank called Fury under the command of Sergeant Don Collier. This battle-weary veteran began the war in Africa and moved to Europe, killing numerous Germans along the way in the name of freedom. Aided by the rest of his crew, Boyd Swan, Trini Garcia and Grady Travis, Collier gives Norman an initiation he will never forget.

  • GenreAction, Drama, Historical/Period, War
  • CastLogan Lerman, Shia LaBeouf, Brad Pitt, Jon Bernthal, Michael Pena.
  • DirectorDavid Ayer.
  • WriterDavid Ayer.
  • CountryUK
  • Duration134 mins
  • Official sitewww.facebook.com/OfficialFuryMovie
  • Release22/10/2014

At a critical juncture in David Ayer's wartime thriller, Brad Pitt's grizzled tank commander turns to an inexperienced new recruit and sounds the death knell on morality and diplomacy in a time of conflict. "Ideals are peaceful, history's violent," he growls with an icy glare.

Those words resonate throughout Fury, a brutal, mud-spattered tour of duty during the final weeks of the Second World War, as seen through the gun sights of an M4 Sherman tank crew on a collision course with Hitler's troops.

The film opens with Pitt's inspirational leader stabbing an unsuspecting German officer in the eye and Ayer repeatedly sates a thirst for close-up gore with expertly choreographed battle sequences and hand-to-hand combat between ground troops. The bloodbath temporarily abates for brotherly banter inside the claustrophobic tank, but the air is always chokingly thick with impending doom.

Eight weeks after he enrolls in the US Army as a clerk typist, Norman Ellison (Logan Lerman) is assigned the position of assistant driver in a tank christened Fury under the command of Sergeant Don 'Wardaddy' Collier (Brad Pitt). This battle-weary veteran began the war in Africa and moved to Europe, killing numerous Germans along the way in the name of freedom.

Aided by the rest of his crew, Boyd Swan (Shia LaBeouf), Trini Garcia (Michael Pena) and Grady Travis (Jon Bernthal), Collier gives Norman an initiation he will never forget on a series of missions led by Captain Waggoner (Jason Isaacs) and Lieutenant Parker (Xavier Samuel).

Three other tanks commanded by Sergeant Binkowski (Jim Parrack), Sergeant Davis (Brad William Henke) and Sergeant Peterson (Kevin Vance) flank Fury as US soldiers push on towards Berlin. "It will end soon," Collier assures Norman, "but before it does, a lot more people gotta die."

Fury paints a familiar picture of the hell of war, directed with testosterone-fuelled swagger by Ayer, who previously helmed the bombastic police thrillers End Of Day and Sabotage. His script is studded with polished dialogue that doesn't quite ring true, like when Collier berates thuggish Grady, "You're an animal. All you understand is fist and boot".

Or when Collier encourages Norman to sow his seeds with a pretty young German (Alicia von Rittberg) by purring, "She's a good clean girl. If you don't take her into that bedroom, I will".

Pitt leads the cast with a strong performance as a battle-weary commander, who holds back a tide of anguish and uncertainty until he is alone and can allow the sobs to shake his scarred body. Lerman is equally compelling as a naive whelp, who develops a taste for killing Nazis.

Ayer obliges him with an astronomical body count and foreign fields slathered as far as the eye can see in mud, freshly spilt blood and the bodies of the fallen.

Showtimes (Click time to book tickets)

Wednesday 26th November 2014
Thursday 27th November 2014

This film is also showing at:

Get On Up 3 stars

movie title

As a boy, James Brown witnesses violent clashes between his parents, which results in his mother Susie walking out. James's hot-headed father Joe delivers the boy into the care of Aunt Honey, who runs a brothel. Under her tutelage, he attends church and develops his passion for music in the choir, before meeting fellow singer Bobby Byrd, who becomes his best friend. They form a rhythm and blues vocal group called The Famous Flames and fame and fortune beckon.

  • GenreBiography, Drama, Musical
  • CastDan Aykroyd, Nelsan Ellis, Chadwick Boseman, Octavia Spencer, Jill Scott, Lennie James, Viola Davis.
  • DirectorTate Taylor.
  • WriterJohn-Henry Butterworth, Jez Butterworth.
  • CountryUS
  • Duration139 mins
  • Official sitewww.getonupmovie.com
  • Release21/11/2014

T'is the season to be funky. Get On Up is a handsome biopic directed by Tate Taylor (The Help), which charts the rise of soul brother James Brown against a backdrop of civil unrest. Thirty-two year-old rising star Chadwick Boseman achieves a startling transformation to convincingly portray the musical legend across five decades that defined the face of multi-cultural America.

As a boy growing up in 1940s South Carolina, James (Jordan and Jamarion Scott) witnesses violent clashes between his parents. Consequently, his battered mother (Viola Davis) walks out, leaving James with his hotheaded father (Lennie James). The old man delivers the boy into the care of Aunt Honey (Octavia Spencer), who runs a brothel.

Under her tutelage, James (now played by Boseman) attends church and develops his passion for music in the choir, before meeting Bobby Byrd (Nelsan Ellis). They form a rhythm and blues vocal group called The Famous Flames and sign to King Records, releasing their first single "Please Please Please" in 1956.

Ben Bart (Dan Aykroyd) becomes James' manager and pushes the flamboyant showman to the fore at the expense of the other members of the group.

Get On Up is reminiscent of the Oscar-winning 2004 film Ray, which netted Jamie Foxx a golden statuette for his portrayal of rhythm and blues legend Ray Charles. Both films are conventional biopics and are selective about the episodes they immortalise of their singers' turbulent lives.

In the case of Taylor's film, we are treated to historical footnotes about Brown's well documented social and political activism, including his 1968 concert at Boston Garden following Martin Luther King's assassination and a visit to Vietnam to support US troops.

Jez and John-Henry Butterworth's fragmented script feels emotionally underpowered. However, concert sequences are electrifying including a recreation of a 1971 gig in Paris that sees Brown whip the audience into a frenzy with "Get Up (I Feel Like Being A) Sex Machine" and "Super Bad".

Boseman is super good, capturing the impetuosity and unerring self-belief of the Godfather of Soul from age 16 to 60. Three hours in a make-up chair to apply full-body prosthetics and a bouffant hair-piece aids the actor's stunning metamorphosis for Brown's later years, when the cranky old coot, dressed in a natty green velour tracksuit, infamously instigates a police car chase following a shotgun altercation with a woman who used his private bathroom.

Costumes and wigs would be superfluous without Boseman's startling ability to capture every facet of Brown's personality from the raspy voice and cool cat swagger to his fleet-footed shuffles on stage.

Aside from Ellis' strong turn as best friend Bobby Byrd, supporting performances are largely overpowered by Boseman's dazzling theatrics. On celluloid as in life, Brown refuses to be upstaged.

Showtimes (Click time to book tickets)

Wednesday 26th November 2014
Thursday 27th November 2014

This film is also showing at:

Interstellar 4 stars

movie title

Planet earth is slowly dying. Mankind looks to the stars for a new planet to colonise. When scientists discover a wormhole that should allow a spacecraft to travel beyond the galaxy into the unknown, doting father Cooper bids farewell to his son Tom and daughter Murph to lead an exploratory mission in search of a new home. Accompanied by fellow explorers Brand, Doyle and Romilly, Cooper undertakes the most important mission in human history.

  • GenreAction, Adventure, Romance, Science Fiction, Thriller
  • CastMatthew McConaughey, Jessica Chastain, Anne Hathaway, John Lithgow, Topher Grace, Casey Affleck, Sir Michael Caine, Wes Bentley, Ellen Burstyn.
  • DirectorChristopher Nolan.
  • WriterChristopher Nolan, Jonathan Nolan.
  • CountryUS/UK
  • Duration164 mins
  • Official sitewww.interstellarmovie.com/index-intl.php
  • Release07/11/2014

Writer-director Christopher Nolan shoots for the stars with a futuristic thriller, co-written with his brother Jonathan, about mankind's search beyond this galaxy for a new home to replace a dying planet earth. Epic in scope and wildly ambitious, Interstellar doesn't quite achieve its bold vision of a love story between a father and daughter set against the vast backdrop of mankind's final roll of the dice to avoid extinction.

However, even when this grand futuristic adventure malfunctions, it's a deeply engrossing meditation on the ties that bind and the endurance of those emotional bonds across space and time.

Nolan and cinematographer Hoyte van Hoytema have captured some of the most breathtaking vistas including our first glimpses of a black hole or wormhole on large-format IMAX film.

These sequences pack a mighty visual punch and powerfully convey how tiny and seemingly insignificant we are on our third rock from the sun. Composer Hans Zimmer, who collaborated with the London-born director on The Dark Knight trilogy, provides another bombastic orchestral score to complement the majestic imagery.

Planet earth is dying: great dust clouds sweep across agricultural plains, ruining crops and making it impossible to breathe comfortably without face masks. "We used to look up and wonder about our place in the stars. Now we just look down and worry about our place in the dirt," laments Cooper (Matthew McConaughey), a former test pilot, who toils the parched soil with his 15-year-old son Tom (Timothee Chalamet) and 10-year-old daughter Murph (Mackenzie Foy).

Cooper answers a call from Professor Brand (Michael Caine) to lead a mission to locate a new planet capable of sustaining human life. "We're not meant to save the world. We're meant to leave it," explains Brand, whose scientist daughter Amelia (Anne Hathaway) will be part of the four-strong crew along with astrophysicist Romilly (David Gyasi) and pilot Doyle (Wes Bentley).

Leaving his brood in the care of his father-in-law (John Lithgow), Cooper undertakes the most important mission in human history, knowing that failure would mean certain death for the people he loves.

Interstellar retains a tight focus on the characters without sacrificing the adrenaline-pumping thrills that fans expect from director Nolan. Two talking military machines called TARS (voiced by Bill Irwin) and CASE are a marvel of mechanical puppeteering and inject much needed humour.

"I have a discretion setting," deadpans TARS in response to a request from Cooper to disclose sensitive information. Oscar winners McConaughey and Hathaway add emotional heft to their embattled astronauts, wringing out tears after Amelia sternly warns Cooper: "You might have to choose between seeing your children again and saving the human race."

A couple of dense, wordy philosophical discussions about gravity and love orbit the moon of unintentional hilarity but thankfully, Nolan avoids the crash and burn in the nick of time.

Showtimes (Click time to book tickets)

Wednesday 26th November 2014
Thursday 27th November 2014

This film is also showing at:

Lucy 3 stars

movie title

American twenty-something Lucy is kidnapped by Korean mob boss Mr Jang and forced to work as a drugs mule, carrying a consignment of a valuable synthetic drug called CPH4 sewn into her stomach. During her captivity, Lucy gets into a fight and one of her captors kicks her in the stomach, releasing CPH4 into her system. The drug significantly increases her physical and mental abilities, unleashing telepathic and telekinetic powers.

  • GenreAction, Science Fiction, Thriller
  • CastMorgan Freeman, Scarlett Johansson, Amr Waked, Choi Min-sik, Julian Rhind-Tutt.
  • DirectorLuc Besson.
  • WriterLuc Besson.
  • CountryFr
  • Duration89 mins
  • Official sitewww.lucymovie.co.uk
  • Release22/08/2014

Derriere-numbingly long films may be all the rage but at a lean 89 minutes, Lucy, the new action thriller from Luc Besson, is all the better for bucking this Hollywood trend. And with a kidnapping, killing sprees and questionable drugs thrown into the fray, there's certainly enough in that hour and a half to halt you from slipping out of the cinema.

Lucy (Scarlett Johansson) is a carefree student living in Taiwan, who is tricked by her new boyfriend Richard into doing his dirty work and carrying a briefcase, jam-packed with potent new drugs, into a hotel for him.

But there's no time for pleasantries here and before the concierge has greeted Lucy, Richard has been dispatched and Lucy is held hostage by the neighbourhood's merciless mob of local drug lords headed up by the unsparing Mr Jang (Choi Min-sik).

Waking up, Lucy discovers that the mob has taken the liberty of surgically implanting thousand of pounds worth of a deadly blue drug, CPH4, which increases the user's brain capacity, into her stomach. And more than that, if the bright blue crystals leak, it will kill her. But leak it does and Lucy, who is sent across the world as a drug mule, soon finds her brain working on disturbing new levels, signposted in the film with frequent updates on the percentage of brain capacity she's using.

As well as being hell-bent on exacting revenge on the mobsters, Lucy also busies herself by tracking down the eminent professor Samuel Norman (Morgan Freeman) in Paris who has spent decades researching the brain's potential.

In a deft twist to Johansson's role as a human-like operating system in Spike Jonze's Her, Lucy sees the actress' voice take on a lifeless tone, shedding personality and lightness as her brain's potential expands. Much has been made of the film's neurological theory not stacking up, but scientific soundness isn't the mission here - entertainment is.

And while there are some rather odd moments - the flashes to a prehistoric Lucy, the strained conversation Lucy has with her mum and the missed opportunity to kill Mr Jang while she can - Lucy is nevertheless a punchy film, which demands your attention every minute of the way.

Showtimes (Click time to book tickets)

Thursday 27th November 2014

Mr Turner 5 stars

movie title

Painter JMW Turner returns to London and the home he shares with his father William and housekeeper Hannah Danby. He channels his energy into his work, which continues to raise eyebrows at the Royal Academy Of Arts. During excursions to Margate, Turner meets Mrs Booth and her husband and rents a room from the couple so he can paint seascapes by the morning light. The burgeoning relationship between the artist and Mrs Booth sweetens the bitter pill of William's passing.

  • GenreBiography, Drama, Historical/Period, Romance
  • CastDorothy Atkinson, Paul Jesson, Timothy Spall, Ruth Sheen, Lesley Manville, Marion Bailey.
  • DirectorMike Leigh.
  • WriterMike Leigh.
  • CountryUK
  • Duration150 mins
  • Official sitewww.facebook.com/MrTurnerFilm
  • Release31/10/2014 (selected cinemas)

On his death bed, celebrated landscape painter and watercolourist Joseph Mallord William Turner, who was a divisive figure in the 19th-century art world, reportedly lamented, "So I am to become a non-entity." Mike Leigh's impeccably crafted biopic, which concentrates on the final 25 years of the artist's career, ensures the genius of Turner lives on.

Anchored by a magnificent central performance from Timothy Spall, Mr Turner is another glorious ensemble piece from the writer-director of Topsy-Turvy and Vera Drake.

Developed through improvisational workshops, which are the trademark of Leigh's filmmaking process, the script melds historical fact with personal interpretation to burrow deep beneath the surface of the characters and expose the desires and fears which drove some to greatness and others to despair.

When it comes to greatness, Spall's embodiment of an artist with few social graces and a surplus of talent is the stuff that Oscars were made of. The London-born actor spent two years learning how to paint like Turner so he could convincingly hold a brush and palette in front of the camera, allowing Leigh to capture visceral scenes of artistic creativity in full flow.

Mr Turner opens with the breathtaking image of the artist capturing the rising sun over fields in Belgium. He returns to London and the home he shares with his father William (Paul Jesson) and housekeeper Hannah Danby (Dorothy Atkinson).

The relationship between the two men is sketched in exquisite, heart-warming detail in these early scenes, with Turner warmly embracing his "daddy". Turner channels his energy into his work, which continues to raise eyebrows at the Royal Academy Of Arts.

"The universe is chaotic and you make us see it," observes Turner's good friend Mary Somerville (Lesley Manville). During excursions to Margate, Turner meets Mrs Booth (Marion Bailey) and her husband (Karl Johnson) and rents a room from the couple so he can paint seascapes by the morning light.

The burgeoning relationship between the artist and Mrs Booth sweetens the bitter pill of William's passing and Turner continues to clash with the artistic establishment, represented here by Sir John Soane (Nicholas Jones) and his coterie.

Mr Turner is a glorious period piece that offers us a glimpse behind the canvasses of a misunderstood maverick, who notes at one point, "When I peruse myself in a looking glass, I see a gargoyle."

Spall is imperious and Leigh surrounds his lead star with an impeccable supporting cast of familiar faces including Jesson as an honest, hard-working man of the world who believed "the rain falls, the sun shines and the onions grow" and Atkinson as the housekeeper who allows Turner to use her to sate his sexual desires.

The 150-minute running time passes too quickly, holding our attention with ravishing costumes and period detail as well as a haunting orchestral score from composer Gary Yershon. Very nearly a masterpiece.

Showtimes (Click time to book tickets)

Wednesday 26th November 2014

This film is also showing at:

Nativity 3: Dude, Where's My Donkey?! 1 stars

movie title

Mrs Keen, the new headmistress of St Bernadette's Primary School in Coventry, welcomes superteacher Mr Shepherd to the fold. On his first day, Mr Shepherd sustains a swift kick to the head from the school donkey. When he regains consciousness, Shepherd doesn't recall his daughter Lauren or his impending New York nuptials to sweetheart Sophie. Buffoonish teaching assistant Mr Poppy joins forces with Lauren to restore her father's memory.

  • GenreComedy, Drama, Family, Musical, Romance
  • CastCatherine Tate, Adam Garcia, Celia Imrie, Marc Wootton, Lauren Hobbs, Martin Clunes.
  • DirectorDebbie Isitt.
  • WriterDebbie Isitt.
  • CountryUK
  • Duration110 mins
  • Official sitewww.facebook.com/NativityFilm
  • Release14/11/2014

A couple of years ago, my inquisitive nephew - then six years old - asked what happens to children who are consigned to Father Christmas' naughty list. I told him that children who misbehave don't get any presents on Christmas Day and must spend the following 12 months being extra good. I know now that I was wrong.

Mischievous scamps on the naughty list will be punished by spending 110 minutes in the company of Nativity 3: Dude, Where's My Donkey?!. There are elements of this shambolic third instalment of writer-director Debbie Isitt's improvised festive fables that my little nephew might enjoy: flatulence, dollops of donkey dung and a gurning man-child dressed in an oversized animal costume.

However, no amount of wrapping can disguise an early Christmas turkey, overstuffed with sickly sentiment, mawkish musical sequences and gargantuan leaps of logic. It's a crying, snivelling shame: the original Nativity!, released in 2009, was an unabashed delight that has become an annual treat in my tinsel-laden household.

This third and hopefully final chapter is a nightmare before Christmas. Mrs Keen (Celia Imrie), the new headmistress of St Bernadette's Primary School in Coventry, welcomes superteacher Mr Shepherd (Martin Clunes) to the fold to whip the pupils into shape ahead of an Ofsted inspection.

On his first day, Mr Shepherd sustains a swift kick to the head from the school donkey. When he regains consciousness, Shepherd doesn't recall his daughter Lauren (Lauren Hobbs) or his impending New York nuptials to sweetheart Sophie (Catherine Tate).

Buffoonish teaching assistant Mr Poppy (Marc Wootton) joins forces with Lauren to restore her father's memory by visiting favourite haunts from his childhood and participating in a flash mob competition in London.

Meanwhile, in the Big Apple, Sophie's old flame, arrogant flash mob guru Bradley Finch (Adam Garcia), worms his way back into her brittle affections with help from her parents (Duncan Preston, Susie Blake), brother (Ralf Little) and bridesmaid (Niky Wardley).

Nativity 3: Dude, Where's My Donkey?! is possibly the worst film I've seen this year. The script's definition of a flash mob is extremely loose, some of the children at St Bernadette's look too old to attend primary school, several New York scenes have clearly been shot closer to home with British actors at odds with the accent and Mr Poppy is a major irritation rather than a joyous source of giggles.

Performances are as wooden as a Norwegian spruce and the song and dance numbers are unevenly lip-synced. Characters behave without melodic rhyme or reason. Sophie's brother inexplicably vows to help slimeball Bradley win back Sophie, then sabotages the nefarious plan in the next breath.

To answer the over-punctuated question in the film's title: with regret, dude, he's at the knacker's yard dragging the entire cast and crew with him.

Showtimes (Click time to book tickets)

Wednesday 26th November 2014
Thursday 27th November 2014

This film is also showing at:

No Good Deed 3 stars

movie title

Colin Evans serves five years in prison for manslaughter and is denied parole. On the way back to incarceration, he escapes and shoots the driver and guard. Colin subsequently acquires a van but he crashes the vehicle during a storm and seeks sanctuary in the home of Terri Granger, who has been abandoned for the night by her husband Jeffrey, leaving Terri to take care of their baby Sam and young daughter Ryan.

  • GenreDrama, Thriller
  • CastIdris Elba, Kate del Castillo, Taraji P Henson, Leslie Bibb, Aimee Lagos.
  • DirectorSam Miller.
  • CountryUS
  • Duration84 mins
  • Official sitesites.sonypictures.com/nogooddeed/teaser/
  • Release21/11/2014 (selected cinemas)

An escaped convict wreaks havoc on a resourceful mother in Sam Miller's taut thriller. Colin Evans (Idris Elba) serves five years in prison for manslaughter and is denied parole. On the way back to incarceration, he escapes and shoots the driver and guard. Colin subsequently acquires a van but he crashes the vehicle during a storm and seeks sanctuary in the home of Terri Granger (Taraji P Henson), who has been abandoned for the night by her husband Jeffrey (Henry Simmons), leaving Terri to take care of their baby Sam and young daughter Ryan (Mirage Spann). The jailbird charms the Grangers and quickly worms his way into little Ryan's affections. When Terri's best friend Meg (Leslie Bibb) turns up unannounced and flirts outrageously with Colin, tensions within the household boil over, culminating in murder and a tense hostage situation.

Showtimes (Click time to book tickets)

Wednesday 26th November 2014
Thursday 27th November 2014

This film is also showing at:

Ouija 3 stars

movie title

High school student Debbie hangs herself and the girl's classmates struggle to make sense of her suicide. Best friend Laine is left in charge of the house and she decides to make contact with Debbie using a ouija board. A small circle including Laine's boyfriend Trevor, her sister Sarah, gal pal Isabelle and Debbie's boyfriend Pete use the board to speak to Debbie and say their tearful farewells. Unfortunately, the friends unwittingly unleash a malevolent force.

  • GenreHorror, Romance, Thriller
  • CastAna Coto, Olivia Cooke, Bianca Santos, Daren Kagasoff.
  • DirectorStiles White.
  • WriterStiles White, Juliet Snowden.
  • CountryUS
  • Duration89 mins
  • Official sitewww.ouijamovie.co.uk
  • Release31/10/2014

On two occasions in Stiles White's supernatural horror, ill-fated characters spell out the golden rules of how to play safely with a Ouija spirit board. Never play on your own, never play in a graveyard, and always sign off by moving the heart-shaped planchette over GOODBYE.

It sounds simple enough but within minutes of establishing these dos and don'ts, grief-stricken high school students are recklessly ignoring their own advice and find themselves at the mercy of a malevolent force. "It's only a game," nervously whispers one girl. The naivete of characters in hoary horror films never ceases to amaze.

White's film, co-written by his wife Juliet Snowden, punctuates a predictable and increasingly preposterous plot with obligatory cheap scares, which all involve a member of cast appearing unexpectedly, accompanied by a discordant screech from composer Anton Sanko. As a big screen Halloween haunting, Ouija is pitifully short of both tricks and treats.

High school student Debbie (Shelley Hennig) consults a spirit board on her own and takes a tumble over her balcony with a string of fairy lights wrapped around her neck. Classmates struggle to make sense of her apparent suicide.

"I never got a chance to say goodbye," sobs Debbie's best friend Laine (Olivia Cooke) to her boyfriend Trevor (Daren Kagasoff). During a nostalgic final tour of Debbie's bedroom, Laine discovers an antique Ouija board and decides to rally the troops to make contact with their late friend and say their tearful goodbyes.

"Do not go seeking answers from the dead," warns Laine's superstitious grandmother (Vivis Colombetti), the only person in the neighbourhood who isn't blinkered to the neon-lit bad omens. "Get rid of the board!"

Unperturbed, Laine convenes at Debbie's house with her truculent younger sister Sarah (Ana Coto), Debbie's boyfriend Pete (Douglas Smith), gal pal Isabelle (Bianca A Santos) and Trevor to open a connection to the spirit world. Unwittingly, the friends make contact with a dark force that inhabits the house and torments the teenagers with the same greeting: HI FRIEND.

The body count rises and Laine follows a trail of clues leading to a patient in Hoover State Care Psychiatric Hospital with intimate knowledge of the house's previous occupants.

Ouija follows a linear path from ho-hum to hokum and clearly signposts the characters' demises including a dip in a swimming pool that takes almost the entire film to come to lacklustre fruition. Cooke looks pretty with tears in her eyes and her mouth contorted in fear while attractive co-stars are content to put themselves in harm's way.

Director White maintains a plodding pace, even during a climactic race against time to banish the evil. We're itching to grab the spirit board and say GOODBYE to Ouija well before the blessed relief of the end credits.

Showtimes (Click time to book tickets)

Wednesday 26th November 2014
Thursday 27th November 2014

This film is also showing at:

Royal Opera Live: L'Elisir D'Amore 3 stars

A live broadcast from the Royal Opera House in London of Laurent Pelly's production of Donizetti's comic opera in two acts charting the love affair of lowly peasant Nemorino and beautiful landowner Adina. Vittorio Grigolo and Lucy Crowe play the lovers across the social divide with Bryn Terfel as quack doctor Dulcamara.

  • GenreSpecial
  • CastLucy Crowe, Vittorio Grigolo, Bryn Terfel.
  • DirectorLaurent Pelly.
  • WriterDonizetti.
  • CountryUK
  • Official sitewww.roh.org.uk/cinemas
  • Release26/11/2014 (selected cinemas)

Showtimes (Click time to book tickets)

Wednesday 26th November 2014

This film is also showing at:

Teenage Mutant Ninja Turtles 3 stars

movie title

Genetically modified turtle brothers Leonardo, Raphael, Michelangelo and Donatello grow up in the sewers of New York under the guidance of their mentor: a giant rat called Splinter, who teaches them Ninjitsu. Aided by plucky journalist April O'Neil and her cameraman Vern Fenwick, the turtles wage war on a shadowy figure called Shredder and his army, known as the Foot Clan, who are spreading fear and terror throughout the Big Apple.

  • GenreAction, Adaptation, Adventure, Comedy, Family, Fantasy, Romance
  • CastWill Arnett, Megan Fox, William Fichtner, Tohoru Masamune, Whoopi Goldberg.
  • DirectorJonathan Liebesman.
  • WriterAndre Nemec, Josh Appelbaum, Evan Daugherty.
  • CountryUS
  • Duration101 mins
  • Official sitewww.ninjaturtlesmovie.co.uk
  • Release11/10/2014 (Scotland); 17/10/2014 (UK & Ireland)

The adventures of turtle brothers Donatello, Leonardo, Michelangelo and Raphael began life in the mid 1980s as an irreverent comic book and rapidly spawned an animated TV series, a trilogy of films and a dizzying array of merchandise. Turtle power has endured to the present day, including a computer-animated series on Nickelodeon.

It's no surprise then that Jonathan Liebesman, director of Wrath Of The Titans, has resurrected the heroes in a half shell for the big screen. Teenage Mutant Ninja Turtles is an outlandish, action-heavy romp that remains faithful to earlier incarnations, condensing the characters' back-story into a snazzy comic book-style opening sequence.

Die-hard fans will enjoy the heavy whiff of nostalgia, but if Liebesman was hoping to indoctrinate a new generation, he has cowabungled it. His film is incredibly violent, albeit bloodless, reducing two very young boys in my screening to distressed screams.

The lack of spilt blood is preposterous, especially when the turtles face chief villain Shredder, who sports armour festooned with blades. Razor sharp projectiles scythe through the air but miraculously don't nick flesh. Shredder by name but not by nefarious nature.

Leonardo (Pete Ploszek, voiced by Johnny Knoxville), Raphael (Alan Ritchson), Michelangelo (Noel Fisher) and Donatello (Jeremy Howard) grow up in the sewers of New York City. They flourish under rat mentor Splinter (Danny Woodburn, voiced by Tony Shalhoub), who teaches Ninjitsu to his surrogate sons.

During one of the turtles' sorties above ground, Channel 6 news reporter April O'Neil (Megan Fox) glimpses the crime-fighters, who are preparing for war with hulking terrorist Shredder (Tohoru Masamune) and his army, the Foot Clan.

Leonardo, Raphael, Michelangelo and Donatello fear exposure so they track down April and spirit her to their subterranean lair. "It's our Fortress Of Solitude, our Hogwarts, our Xavier's Academy," whispers Donatello, piling on the pop culture references.

Once April learns of the turtles' noble quest to destroy Shredder, she pledges her allegiance and ropes in wisecracking cameraman, Vern (Will Arnett), and prominent businessman Eric Sacks (William Fichtner), who has publicly declared war on the Foot Clan in a televised speech.

Teenage Mutant Ninja Turtles updates the characters for the modern era. Thus Mikey has a penchant for cat videos on the internet and the three scriptwriters shoe-horn verbal references to films and TV shows with abandon: "Maybe she's a Jedi," whispers Mikey after April reveals she knows Splinter's name without an introduction.

The turtles are rendered through motion-capture performances and look rather creepy, but they somersault to perfection in action set pieces including a tumble down a snow-laden mountainside.

Alas, the hefty budget hasn't stretched to remedying basic continuity errors like when Fox's plastic heroine emerges from a downpour with dry, flowing hair. Believe that and you'll lap up this bland turtle soup.

Showtimes (Click time to book tickets)

Wednesday 26th November 2014
Thursday 27th November 2014

This film is also showing at:

The Book Of Life 3 stars

movie title

In the town of San Angel on the Day Of The Dead, underworld gods La Muerte and Xibalba bet on the outcome of a love triangle involving friends Manolo, Joaquin and Maria. La Muerte, ruler of the Land of the Remembered, believes that sensitive Manolo will get the girl while Xibalba, ruler of the Land of the Forgotten, selects courageous Joaquin as his champion and secretly boosts the young man's chances with an enchanted medal of protection.

  • GenreAdventure, Animation/Cartoon, Comedy, Family, Family, Romance
  • CastRon Perlman, Zoe Saldana, Channing Tatum, Kate del Castillo, Diego Luna, Ice Cube.
  • DirectorJorge R Gutierrez.
  • WriterJorge R Gutierrez, Douglas Langdale.
  • CountryUS
  • Duration95 mins
  • Official sitewww.bookoflifemovie.co.uk
  • Release24/10/2014

In Mexican culture, Dia de los Muertos or Day Of The Dead is an important annual gathering for families and friends to honour the memory of loved ones who are no longer with them. The three-day celebration, which begins on October 31, traditionally involves adorning graves and specially constructed altars with sugar skulls, flowers and other gifts with special significance to the departed.

This fiesta of remembrance provides a vibrant and poignant backdrop to Jorge R Gutierrez's fantastical computer-animated fable about three friends, who discover there is love after death.

The Book Of Life razzle dazzles our eyes, especially in 3D, cramming as much retina-searing colour and detail as possible into each frame. Co-writer Douglas Lansdale adds plentiful humour to offset the film's air of tragedy including a chorus of singing nuns and a waspish grandmother, voiced by Grey DeLisle, who scene-steals with every purse-lipped outburst.

Museum tour guide Mary Beth (voiced by Christina Applegate) leads a group of unruly schoolchildren through an exhibition about Mexican folklore. She leads the whippersnappers to a chamber that houses the fabled Book Of Life and recounts one particular story, which unfolds in the town of San Angel on the Day Of The Dead.

Rival gods La Muerte (Kate del Castillo) and Xibalba (Ron Perlman) agree a wager on the resolution of a love triangle involving two boys, Manolo (Diego Luna) and Joaquin (Channing Tatum), who are both in love with their friend Maria (Zoe Saldana).

La Muerte, ruler of the Land of the Remembered, believes that sensitive Manolo will get the girl and realise his musical ambitions rather than take up the mantle of his matador father (Hector Elizondo). "Music is not a profession fit for a Sanchez bullfighter!" rages the old man.

Meanwhile, Xibalba (Ron Perlman), ruler of the Land of the Forgotten, selects courageous Joaquin as his champion and secretly boosts the young man's chances with an enchanted medal of protection.

When the time finally comes for Maria to choose between her suitors, conniving Xibalba attempts to influence her decision to ensure he wins the bet.

The Book Of Life inhabits a macabre universe that Tim Burton has made his own but director Gutierrez and his team of animators opt for a more jaunty, upbeat tone enhanced by a bouncy soundtrack replete with cover versions of Elvis Presley, Radiohead and Rod Stewart. "What is it with Mexicans and death?" asks a goth kid on the museum tour, somewhat tongue in cheek.

Luna and Tatum deliver lively vocal performances and Saldana essays a spunky heroine, who epitomises girl power, flanked by a cute porcine sidekick. Action sequences are orchestrated at a brisk pace, punctuated by soaring serenades.

Gutierrez's film strikes a pleasing balance between giggles and soul-searching, tackling tricky themes of mortality, self-sacrifice and the afterlife without giving young audiences nightmares.

Showtimes (Click time to book tickets)

Wednesday 26th November 2014
Thursday 27th November 2014

This film is also showing at:

The Drop 3 stars

movie title

Bob Saginowski tends the neighbourhood bar owned and run by Cousin Marv. Walking home after a shift, Bob hears whimpering and discovers a badly beaten pitbull in a dustbin. The homeowner, Nadia, claims to know nothing about the distressed animal and she helps to patch up the dog's wounds. A criminal low life called Eric Deeds visits Bob and claims to be Rocco's owner. He threatens to tell the police that Bob mistreated the pitbull unless the bartender pays him 10,000 dollars.

  • GenreAdaptation, Drama, Romance, Thriller
  • CastNoomi Rapace, Tom Hardy, James Gandolfini, Matthias Schoenaerts, John Ortiz.
  • DirectorMichael R Roskam.
  • WriterDennis Lehane.
  • CountryUS
  • Duration106 mins
  • Official sitewww.thedrop-movie.com
  • Release14/11/2014

Adapted for the screen by novelist Dennis Lehane from his 2009 short story Animal Rescue, The Drop is a solid, dependable crime thriller set predominantly in a Brooklyn bar, which the Chechen mob uses as a collection point for laundered money. In these boozy and convivial surroundings, romance is kindled, personal ties are frayed and one hard-working member of bar staff contemplates breaking the law for a noble cause: love.

Belgian director Michael R Roskam's second feature, his follow-up to the Oscar nominated Bullhead, gradually turns the screws, exerting pressure on the characters as they wrestle with their consciences. Some capitulate while others demonstrate hidden reserves of strength, resourcefulness and aggression that prove you should never judge a book by its well-worn cover.

The Drop is blessed with James Gandolfini's final screen performance and he is a slippery, brooding presence amid occasional twists of a serpentine plot. However, it's chameleonic London-born star Tom Hardy, who wrought havoc on Christian Bale and Gotham as masked madman Bane, who shines brightest, juxtaposing his imposing physicality and vulnerability.

Bob Saginowski (Tom) is a softly spoken soul, who tends the neighbourhood bar owned and run by Cousin Marv (Gandolfini). Walking home after a shift, Bob hears whimpering and discovers a badly beaten pitbull in a dustbin.

The homeowner, Nadia (Noomi Rapace), claims to know nothing about the distressed animal and she helps to patch up the dog's wounds. Bob subsequently adopts the pitbull, christening his four-legged friend Rocco. Soon after, two gun men hold up Marv's bar and steal "five large... and change".

Detectives Torres (John Ortiz) and Romsey (Elizabeth Rodriguez) investigate and when the police are gone, Chechen thug Chovka (Michael Aronov) arrives with goons in tow, impressing on Marv and Bob the importance of replacing the stolen cash as soon as possible. As the dust settles, a criminal low life called Eric Deeds (Matthias Schoenaerts) visits Bob and claims to be Rocco's owner.

He threatens to tell the police that Bob mistreated the pitbull unless the bartender pays him 10,000 dollars. Faced with the prospect of losing Rocco, Bob contemplates stealing dirty money from the Chechens on one of the busiest drinking days of the year: Superbowl Sunday.

The Drop is predictable but this portrait of greed and ambition on the mean streets of New York hits most of the right menacing notes. Lehane's lean script is peppered with colourful dialogue and sustains dramatic tension. Director Roskam gently waters the seeds of romance between Bob and Nadia, catalysed by simmering screen chemistry between Hardy and a poorly served and underused Rapace.

Performances from the two male leads anchor the picture, staring into the blackened hearts of men who surrendered their souls to the Devil many years ago.

Showtimes (Click time to book tickets)

Wednesday 26th November 2014
Thursday 27th November 2014

This film is also showing at:

The Hunger Games: Mockingjay: Part 1 4 stars

Katniss Everdeen barely survived the Third Quarter Quell and she gathers her strength in the company of her friends, architect of the rebellion Plutarch Heavensbee and the President of District 13, Alma Coin. The scent of rebellion is in the air and the people look to Katniss to lead them against President Snow and the armed forces of Panem. However, Peeta has been captured by Snow and is being manipulated to quell the uprising.

  • GenreAction, Adaptation, Adventure, Drama, Family, Romance, Science Fiction
  • CastJennifer Lawrence, Woody Harrelson, Liam Hemsworth, Elizabeth Banks, Josh Hutcherson, Donald Sutherland, Julianne Moore, Philip Seymour Hoffman, Jeffrey Wright, Stanley Tucci.
  • DirectorFrancis Lawrence.
  • WriterDanny Strong, Peter Craig.
  • CountryUS
  • Duration123 mins
  • Official sitewww.thehungergames.co.uk
  • Release20/11/2014

The spectre of war casts a long shadow over the penultimate chapter of the blockbusting dystopian thrillers based on Suzanne Collins' bestselling trilogy. The Hunger Games: Mockingjay: Part 1 follows the lead of the Harry Potter and Twilight sagas by cleaving the final book in two.

This decision - driven as much by greed as artistic necessity - results in a dark, brooding two hours of self-sacrifice almost completely devoid of the propulsive action sequences that distinguished the earlier films. Jennifer Lawrence's portrayal of reluctant heroine Katniss Everdeen, a pawn in the battle of wits between the money-rich Capitol and the impoverished Districts, remains a mesmerising constant.

She delivers another emotionally bruising performance, especially in early scenes when her battle-scarred teenager stares over the smouldering ruins of her beloved District 12, littered with charred skeletons of friends and neighbours who were incinerated as they fled.

This hellish vision brings Lawrence to her knees, unable to hold back racked sobs of pain. The floodgates open and screenwriters Peter Craig and Danny Strong take their time channelling her aching sense of loss into an all-consuming rage that will set the Capitol ablaze this time next year. "If we burn, you burn with us!" she bellows down a camera lens at President Snow (Donald Sutherland). We don't doubt it.

Katniss barely survived the Third Quarter Quell. Separated from fellow tributes Peeta (Josh Hutcherson) and Johanna (Jena Malone), who are being held in the Capitol, Katniss gathers her strength in a secret underground complex. Her allies include childhood friend Gale Hawthorne (Liam Hemsworth), mentor Haymitch Abernathy (Woody Harrelson), chaperone Effie Trinket (Elizabeth Banks), architect of the rebellion Plutarch Heavensbee (Philip Seymour Hoffman) and District 13 President Alma Coin (Julianne Moore).

The people of the Districts look to Katniss to lead them against President Snow and the armed forces of Panem. "We're going to stoke the fire of this revolution that this Mockingjay started," growls Plutarch, commissioning a series of propaganda videos directed by Cressida (Natalie Dormer) with Katniss as the reluctant star. Meanwhile, Snow initiates his own forceful media campaign fronted by Caesar Flickerman (Stanley Tucci) and a clearly disoriented Peeta.

The Hunger Games: Mockingjay: Part 1 is the calm before the storm of full-blown conflict. It's a slower burn than previous films and lacks some of the on-screen electricity since Katniss and Peeta are separated but Lawrence burns bright as the eponymous "girl on fire".

Effie's role is expanded from the book to bring some comic relief to the subterranean gloom. "Everything old can be made new again - like democracy!" she chirrups. Maybe so, but as Part 1 makes abundantly and agonisingly clear, you have to sacrifice innocent lives to sweep away the past.

Showtimes (Click time to book tickets)

Wednesday 26th November 2014
Thursday 27th November 2014

This film is also showing at:

The Imitation Game 4 stars

movie title

Socially awkward mathematician Alan Turing arrives at Bletchley Park where Commander Denniston presides over a group of the country's keenest minds in the hope that one of them can break the Enigma code. Turing ploughs his own furrow and raises eyebrows by recruiting Joan Clarke to the team. She is a beautiful mind like Turing, inspiring him to greatness by observing, "Sometimes it is the people no one imagines anything of that do the things people never imagine."

  • GenreAdaptation, Biography, Drama, Gay, Thriller, War
  • CastKeira Knightley, Benedict Cumberbatch, Matthew Goode, Mark Strong, Charles Dance, Rory Kinnear, Allen Leech, Matthew Beard.
  • DirectorMorten Tyldum.
  • WriterGraham Moore.
  • CountryUK/US
  • Duration114 mins
  • Official sitewww.theimitationgamemovie.com
  • Release14/11/2014

In December 2013, The Queen granted a posthumous royal pardon to Alan Turing. The London-born mathematician had been prosecuted for homosexuality in 1952 - a criminal act at the time - and he undertook a treatment of chemical castration with oestrogen injections rather than serve time behind bars.

It was an undeservedly inglorious end for a brilliant man, who was instrumental in breaking the Enigma code and should have been feted by our battle-scarred nation as a hero. Based on a biography by Andrew Hodges, The Imitation Game relives that race against time to decipher German communications and bring the Second World War to a swift conclusion.

Morten Tyldum's masterful drama neither shies away from Turing's homosexuality nor lingers on it, framing nail-biting events at Bletchley Park with the mathematician's 1951 arrest in Manchester. "If you're not paying attention, you'll miss things," Turing teases us in voiceover.

Indeed, you'll miss impeccable production design, an unconventional yet touching romance, subterfuge and sterling performances including an Oscar-worthy portrayal of the socially awkward genius from Benedict Cumberbatch.

Alan Turing (Cumberbatch) sits in a police interrogation room with Detective Nock (Rory Kinnear), facing a charge of indecency with a 19-year-old unemployed man called Arnold Murray. "I think Turing's hiding something," Nick informs his Superintendent (Steven Waddington), who is keen to wrap up the conviction.

In flashback, we witness Alan's arrival at Bletchley Park where Commander Denniston (Charles Dance) and Major General Stewart Menzies (Mark Strong) preside over a group of the country's keenest minds in the hope that one of them can break Enigma.

Hugh Alexander (Matthew Goode), John Cairncross (Allen Leech) and Peter Hilton (Matthew Beard) work alongside Turing, but he ploughs his own furrow and raises eyebrows by recruiting Joan Clarke (Keira Knightley) to the team.

She is a beautiful mind like Turing, inspiring him to greatness by observing, "Sometimes it is the people no one imagines anything of that do the things people never imagine."

Punctuated by school day scenes of the young Turing (Alex Lawther) and his first love, an older boy called Christopher (Jack Bannon), The Imitation Game is a beautifully crafted tribute to a prodigy, whose invaluable contribution to the war effort was unjustly besmirched by bigotry.

Cumberbatch is mesmerising, trampling over the egos of fellow code breakers without any concern for their feelings as he vows to solve "the most difficult problem in the world". It's a tour-de-force portrayal, complemented by strong supporting performances from Knightley, Goode et al as the close-knit team who note, "God didn't win the war. We did."

The pivotal Eureka moment sets our pulses racing, heightened by Alexandre Desplat's exquisite orchestral score. Director Tyldum navigates the fractured chronology with clarity and flair, ensuring that his heart-rending film doesn't itself become a perplexing puzzle.

Showtimes (Click time to book tickets)

Wednesday 26th November 2014
Thursday 27th November 2014

This film is also showing at:

The Maze Runner 4 stars

movie title

A teenager called Thomas arrives in a green area called The Glade, which is home to dozens of other boys, whose memories have also been wiped. Gargantuan walls enclose The Glade and every morning, one wall parts to reveal a maze, which 'runners' explore in the vain hope of finding an exit. The runners must return before dusk when the wall closes and the maze reconfigures.

  • GenreAction, Adaptation, Family, Science Fiction, Thriller
  • CastDylan O'Brien, Kaya Scodelario, Will Poulter, Aml Ameen, Ki Hong Lee, Thomas Brodie-Sangster, Patricia Clarkson, Blake Cooper.
  • DirectorWes Ball.
  • WriterGrant Pierce Myers, Noah Oppenheim, T S Nowlin.
  • CountryUS
  • Duration113 mins
  • Official sitewww.facebook.com/MazeRunnerUK?brand_redir=1
  • Release10/10/2014

Based on the bestselling novel by James Dashner, The Maze Runner is a testosterone-fuelled survival thriller cast from the same robust mould as The Hunger Games and Divergent. Like those dystopian nightmares, Wes Ball's film centres on naive characters, teetering on the cusp of adulthood, who are forced to make stark choices between life and death to secure freedom.

Only here, adolescent males are trapped in the moral mire and forced to establish a microcosm of self-governing society a la Lord Of The Flies in which the strongest take charge and the meek keep their heads down.

While The Hunger Games and Divergent expended valuable time establishing character back stories and motivations, this opening salvo of The Maze Runner employs a nifty cheat: amnesia. All of the protagonists are stripped bare of memories including their identity, emerging from the darkness of a lift shaft into an enclosed green space called The Glade as blank slates.

"I can't remember anything," whimpers newbie Thomas (Dylan O'Brien).
"You get your name back in a day or two. It's the one thing they let us keep," explains Alby (Aml Ameen), the de facto leader, who emerged into this strange prison three years ago.

Gargantuan walls enclose The Glade and every morning, one wall parts to reveal a maze which 'runners' like Minho (Ki Hong Lee) map while avoiding hideous denizens called Grievers in the vain hope of finding an exit. The runners must return before dusk when the wall closes and the maze reconfigures.

Having plucked his name from the fog of his mind, Thomas forges friendships with Alby, second-in-command Newt (Thomas Brodie-Sangster) and runt of the litter Chuck (Blake Cooper), but falls foul of brutish rival Gally (Will Poulter).

Out of the blue, a girl called Teresa (Kaya Scodelario) emerges from the lift. She woozily claims to know Thomas and paranoia runs rampant...

For the opening hour, The Maze Runner is lean and taut, rattling along at breakneck speed to the beat of composer John Paesano's propulsive score. The threat of bloodshed hangs in the air but it's only when Thomas strays into the labyrinth that the film unveils a surprisingly nasty streak, dispatching the good-looking cast in a shockingly cold, clinical fashion.

Director Ball doesn't succumb to squeamishness or sentimentality: death comes quickly and gruesomely, and the strongest, most noble and endearing characters are prime fodder for the rampaging Grievers. The film earns its 12A certificate without flinching.

O'Brien and Ameen anchor the young ensemble with fine performances, with sterling support from Lee, Brodie-Sangster and Poulter, the latter fleshing out his punishment-fixated bully with aplomb.

Scodelario is noticeably short-changed but presumably, she will play a pivotal role - from beyond the grave or in the flesh - in next year's fleet-footed sequel, The Scorch Trials. Burn, baby burn.

Showtimes (Click time to book tickets)

Wednesday 26th November 2014
Thursday 27th November 2014

This film is also showing at:

About cookies

We want you to enjoy your visit to our website. That's why we use cookies to enhance your experience. By staying on our website you agree to our use of cookies. Find out more about the cookies we use.

I agree