42ND Street opened at the Dolman Theatre to a full house last night and finished to a standing ovation.  

Set in 1933 during the Great Depression, it tells the story of the young Peggy Sawyer who has come to New York to audition for the chorus in the new show, Pretty Lady. 

The whole show was a kaleidoscope of colour, with the fantastic and ever-changing costumes of the ensemble, a beautifully designed set and a fantastic use of lights that transported the audience to a Broadway setting.

The show was fast and energetic, with the constant clatter of the tap-dancing creating its own unique melody.

For such a large cast and ensemble, the dance choreography was impressive, as was the singing, accompanied by the talented orchestra in the pit playing the familiar tunes by Harry Warren and Al Dubin.   

Whether the classics We’re in the Money, Lullaby of Broadway, the famous opening Audition Number, or the many other numbers, the stage was packed with colour, light and the energy of the tapping feet.

Lead tenor, Billy Lawlor (played by Jordan Archer), belted out his numbers, with his constant cheesy grin creating the humour intended for the ever-appreciative audience. The confidence of Billy’s character contrasted beautifully with the naivety of Peggy Sawyer, who dances her way to stardom with apparent ease, showcasing the talent of Becci Jarvis, who played her.  

The cast, singers and dancers are too numerous to name but suffice to say, as an ensemble, they worked brilliantly to create the wonderful technicolour and song of Broadway.

A thoroughly enjoyable and entertaining evening.

Julie Benson